This cult stand depicts a musical ensemble made up of five figures playing different instruments. The figures are displayed around the base, with three four-legged animals above them. Four of the figures are modelled in the round and appear in small windows. One plays a flute, one the cymbals, one a lyre, and one a tambourine or drum. At least two of the four (the cymbal and tambourine players) are wearing hats or headdresses; the pointed chins on some may indicate beards. The fifth figure is larger than the other four and probably represents the leader of the group. The lead figure plays a double flute, like the one of the figurine from Tel Malhata, which held differently to that played by the smaller flute player. The stand comes from a group of buildings in Ashdod which produced numerous other fine cultic and domestic items. The unusual architecture of the buildings, combined with the finds, led to its identification as an official or elite building, part of which had a cultic function. The complex did not function as a temple and so attests to the close intertwining of daily life and cultic practice. The musicians are often thought to symbolise worshippers, but it has also been suggested that they could depict a wealthy family engaging in musical activities—perhaps the family to whom the stand belonged. Offerings or incense may have been placed in the dish at the top of the stand.See also the Altar from Tel Rehov, the Offering Stand from Jerusalem and the Horned Incense Altar from Megiddo.
This item is a hollow pottery head and shoulders of a figurine playing a double flute, like one of the musicians from the cult stand from Ashdod. The figure has a large nose and protruding eyes, and the beard indicates it is male. The core was wheel-made with various other parts handmade and stuck onto the core. Originally it was painted in black and red. The figurine is one of a number of similar figurines found at Malhata. Only one other flute player appears in this assemblage (also male), but there are some female drummer figurines and a range of other anthropomorphic (human-shaped) and zoomorphic (animal-shaped) examples. As the body of the figurine is missing, it is unclear what the item was intended for. It may have been a small anthropomorphic figurine, part of a hollow cult stand, or perhaps part of a rattle with an anthropomorphic body. As the figure plays the flute it probably depicts a worshipper rather than a deity; musical instruments were often used in worship. Comparisons with other figurines from sites such as Horvat Qitmit suggest that it reflects Edomite cultural traditions, from the area of modern Jordan, and close interaction between Edomites and Judeans in the Negev region in the seventh century BCE.