Peregrinatio in terram sanctam, a guide for pilgrims, is probably one of the earliest examples of an illustrated travel book. It was produced by Bernhard von Breydenbach following his pilgrimage to the Holy Land in 1483–84, with illustrations by Erhard Reuwich of Utrecht. It includes the first printed map of Jerusalem. This section is from a pullout gatefold of the Holy Land, which in full stretches a remarkable 1.5 metres long.
The panorama offers a relatively realistic rendering of the city, although the artist, viewing the city from the Mount of Olives to the east, has made several alterations to the geography of Jerusalem in order to accommodate his outlook. There were both aesthetic and theological reasons for these creative repositionings. Not only did the vantage point offer a spectacular view of the Holy City, but it was also the site at which Jesus wept for Jerusalem (Luke 19:41–44). By presenting the city from this perspective, Reuwich enables his viewers to see as St Luke's Christ saw.
More than any other work of its time, the map presented a realistic rendering of the city, albeit skewed in relation to its surrounds. The architectural accuracy with which Reuwich presented the Dome of the Rock, which is accompanied with the inscription Templum Salamonis or 'Temple of Solomon'—a elision of past and present also seen in the Hague Map—is acknowledged as an early example of a new type of realism in the depiction of the architecture of the Holy City. Reuwich's work signals a shift from previous, more theologically influence and imaginative conceived maps towards work of greater architectural and geographical accuracy. As a result Reuwich’s map of Jerusalem became one of the most influential of its time, shaping artistic renderings of the city and the Temple in the following centuries, including Holbein’s Icones as well as numerous maps up until the middle of the eighteenth century.
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